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Note: This section may include reviews for related titles (e.g., same author, series, or related edition).

From Cooperative Children's Book Center (CCBC)

Bri, 16, dreams of being a rapper like her father, who was killed in a drive- by shooting when she was young. African American Bri has talent but knows making it also requires exposure and connections. In the meantime, with money tight at home, she helps out by reselling candy at her mostly white arts high school. After Bri’s candy-filled backpack is confiscated at a routine school security check and she is thrown to the ground and handcuffed, rumors fly that she was selling drugs. Bri channels her anger at what happened, and at the fact Black and brown kids at her school are often treated as suspect, into a rap song that blows up online. Bri’s family and friends know the tough, defiant attitude Bri displays in the song is not who she really is. At the same time, a producer has taken an interest in the song and Bri’s career, but wants to further cultivate an image of Bri that offers no room for nuance and no understanding that her posturing was a way to express pain and illuminate injustice. Bri, her family, and friends are dealing with many challenges, from economic struggles and racism to the threat of gangs and drug violence, but they are also loving, lively, funny, poignant characters in this vivid, visceral, heartfelt, ultimately hopeful work. (Age 13 and older)

CCBC Choices 2020 © Cooperative Children's Book Center, Univ. of Wisconsin - Madison, 2020. Used with permission.

From Horn Book

March 1, 2019
If reading The Hate U Give (rev. 3/17) was like listening to 2Pac, intent on capturing the emotional impact of injustice, On the Come Up is more like Biggie, focusing on the experience of coming up while refusing to deny the complexity of moving out of one's community through education, notoriety, or fame. Sixteen-year-old Bri attends a public arts high school and dreams of being a rapper like her father, who was murdered in a gang shooting outside their house when Bri was young. Her mother, a recovering addict, and her studious older brother, recently admitted to graduate school, work hard as they worry about making ends meet, and they face the perpetual indignities of a world that unfairly judges poverty as lack of character. After winning a rap battle in her neighborhood (the same setting as The Hate U Give), Bri?who is already known at her school since being thrown to the ground by security officers?becomes hood famous. Doors start to open; her father's old manager wants to take her on as a client?but it comes at a price Bri isn't sure she is willing to pay. The narrative builds to a crescendo that forces Bri to decide who she wants to be as a rapper and a person. With sharp, even piercing, characterization, this indelible and intricate story of a young woman who is brilliant and sometimes reckless, who is deeply loved and rightfully angry at a world that reduces her to less than her big dreams call her to be, provides many pathways for readers. Secondary characters?including Bri's two best guy friends and her fiercely protective drug-dealing gang-member aunt, along with her strict but loving paternal grandparents?make for a remarkably well-rounded cast. A love letter to hip-hop, with Bri's lyrics and her thought process behind them included throughout, this richly woven narrative touches on themes familiar to Thomas's readers, such as the over-policing of black bodies and navigating beloved communities that are also challenged by drugs and violence. christina l. dobbs

(Copyright 2019 by The Horn Book, Incorporated, Boston. All rights reserved.)

From Publisher's Weekly

Starred review from February 4, 2019
Thomas’s highly anticipated follow up to The Hate U Give returns to Garden Heights, but her new protagonist, 16-year-old Brianna Jackson, faces different challenges than the previous novel’s Starr Carter. Bri’s mother, Jayda, a recovering crack addict, has lost her job. The rent is late, the heat has been shut off, and Jayda must choose between staying in college and feeding her kids, because welfare benefits don’t include food stamps for unemployed students. Bri attends an arts high school, and she dreams of making it big rapping—a talent she inherited from her father, a neighborhood legend who was shot to death when Bri was four. She begins to gain notice in the local music scene, but her success draws the unwanted attention of the gang suspected of killing her father. At the same time, an incident at school connects her with activists. Bri’s artful rhymes convey her fears, frustrations, determination to challenge societal stereotypes, and growing awareness of her own talents. As in The Hate U Give, Thomas introduces readers to an unforgettable cast of characters who seek to thrive in close-knit neighborhoods that are also shaped by violence and systemic racism. Bri is a fully realized character who is both sympathetic and, occasionally, maddeningly impulsive, and the well-crafted dialogue, with some laugh-out-loud shade throwing, propels the dramatic plot. Ages 14-up.

From School Library Journal

February 1, 2019

Gr 8 Up-Aspiring rapper Bri records "On the Come Up" to protest the racial profiling and assault she endured at the hands of white security guards at her high school. The song goes viral, and Bri seizes the opportunity to follow in the footsteps of her late father and lift her family out of poverty, but her loved ones worry, especially when some listeners paint her as an angry black girl inciting violence. Tension mounts as Bri's mother loses her job, Bri's relationship with her beloved aunt and musical mentor splinters, and a new manager dangles the prospect of fame and wealth-at a price. Set in the same neighborhood as Thomas's electrifying The Hate U Give, this visceral novel makes cogent observations about the cycle of poverty and the inescapable effects of systemic racism. Though the book never sands over the rough realities of Garden Heights, such as gang warfare, it imbues its many characters with warmth and depth. While acknowledging that society is quick to slap labels onto black teens, the author allows her heroine to stumble and fall before finding her footing and her voice. VERDICT Thomas once again fearlessly speaks truth to power; a compelling coming-of-age story for all teens.-Mahnaz Dar, School Library Journal

Copyright 2019 School Library Journal, LLC Used with permission.

From Booklist

Starred review from February 1, 2019
Grades 9-12 *Starred Review* Thomas follows up her blockbuster, The Hate U Give (2017), with a sophomore novel that's just as explosive. On the Come Up tells the story of talented Bri, daughter of a deceased underground rapper, who's pursuing her own rap career. Bri is more than her dreams of making it out of the hood and reaching rap stardom; she is a girl who loves her family and friends fiercely. Bri's chance at fame comes after a rap battle in which the song she pens garners massive attention. When Bri's mother loses her job, Bri's rap ambitions become more crucial than ever. They could be her and her family's ticket to a better life unthreatened by poverty. Bri is a refreshingly realistic character with trials and triumphs, strengths and flaws. She's also a teen with a traumatic past who is still going through things in the present. She still, however, manages to find the beauty and joy in life despite her tribulations, and this is where On the Come Up truly shines in its exploration of Bri's resilience, determination, and pursuit of her dreams. ?In this splendid novel, showing many facets of the Black identity and the Black experience, including both the highs and the lows of middle-class and poor Black families, Thomas gives readers another dynamic protagonist to root for. High-Demand Backstory: Thomas' debut, The Hate U Give, might ring a bell? She had a long-term stay on the New York Times best-seller list for her first novel, and the hype for her second is damn near deafening.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

From Kirkus

Starred review from January 15, 2019
This honest and unflinching story of toil, tears, and triumph is a musical love letter that proves literary lightning does indeed strike twiceThomas' (The Hate U Give, 2017) sophomore novel returns to Garden Heights, but while Brianna may live in Starr's old neighborhood, their experiences couldn't differ more. Raised by a widowed mother, a recovering drug addict, Bri attends an arts school while dreaming of becoming a famous rapper, as her father was before gang violence ended his life. Her struggles within the music industry and in school highlight the humiliations and injustices that remain an indelible part of the African-American story while also showcasing rap's undeniable lyrical power as a language through which to find strength. Bri's journey is deeply personal: small in scope and edgy in tone. When Bri raps, the prose sings on the page as she uses it to voice her frustration at being stigmatized as "hood" at school, her humiliation at being unable to pay the bills, and her yearning to succeed in the music world on her own merit. Most importantly, the novel gives voice to teens whose lives diverge from middle-class Americana. Bri wrestles with parent relationships and boy drama--and a trip to the food bank so they don't starve during Christmas. The rawness of Bri's narrative demonstrates Thomas' undeniable storytelling prowess as she tells truths that are neither pretty nor necessarily universally relatable.A joyous experience awaits. Read it. Learn it. Love it. (Fiction. 13-adult)

COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

From AudioFile Magazine

Narrator Bahni Turpin becomes The Neighborhood through the eyes of Bri, a 16-year-old hip-hop artist who raps to express how she feels. Turpin portrays the essence of this quick-thinking wordsmith who gets her first break by performing at the infamous Ring, where the best-of- the-best rap battles unfold. The spunk in Turpin's voice brings this roller-coaster story to life. She captures the character's emotional trauma at the threat of gang warfare and of being homeless, as well as her fear that her mother will relapse and return to drugs. Thomas's story and Turpin's narration are raw, funny, and filled with the vulnerable moments that adolescents experience as they develop into who they want to be in this world. T.E.C. © AudioFile 2019, Portland, Maine